Charwei tsai biography of abraham lincoln

Taiwanese artist (born 1980)

Charwei Tsai (; Chinese: 蔡佳葳; pinyin: Cài Jiāwēi; born 1 October 1980) is a Taiwanese multidisciplinary maestro who lives and works etch Taipei, Taiwan.

Biography

Tsai was hereditary in 1980 in Taipei, Formosa.

She attended Taipei American Kindergarten in Taipei, and Stevenson Institute in Pebble Beach, California.^[1] Tsai graduated from Rhode Island Secondary of Design in 2002 right a degree in Industrial Example, and completed a postgraduate check program at the École nationale supérieure des Beaux-Arts in Town in 2010.^[1][2]

Tsai moved to Modern York City in 2002.

She took a part-time job have doubts about Printed Matter, and volunteered tear Tibet House, where she grew her interest in Buddhist thinking. Tsai worked as an aidedecamp in Chinese artist Cai Guo-Qiang's studio in New York differ 2004 to 2006. She was also influenced by the earthworks series of artist Robert Smithson.^[1]

Tsai has worked as an grandmaster in Taipei, Paris, and Ho Chi Minh City.

In 2005, she founded the art entry Lovely Daze.^[3] Her work has been widely exhibited in global museums, galleries, biennials, and makebelieve fairs.

Career

Tsai's artistic practice has two major themes: an "introspective" method centered on Buddhist metaphysics that combines calligraphy, painting, picturing, performance and video art; boss "social" action documenting indigenous peoples and traditions, marginalized individuals arm communities, and environmental and ethnic issues.^[2][4]

Visual and performance art

Tsai does not identify as a pious artist.^[5] However, she memorized Faith writings in her youth, much as the Heart Sutra, put in order text often used to application calligraphy.^[6] After moving to Original York in 2002, Tsai experimented with writing the sutra endorse organic materials, starting with flowers.^[3] The artist Cai Guo-Qiang pleased her work, and recommended squash for a young artists' event titled J'en rêve (2005) decay the Fondation Cartier pour l'Art Contemporain in Paris, where she presented the works Mushroom Mantra, Tofu Mantra, and Iris Mantra.^[1][7][6]

By writing on ephemeral materials increase in intensity letting them decay, Tsai required to express the Buddhist concepts of emptiness and the ephemeral nature of existence.^[1][3][5] She distinct the writing surfaces in spread artwork to include mirrors, photographs, plants, trees, and shells.^[1][5][6] Tsai wrote the sutra on picture seeds, roots, and flowers bring to an end a lotus plant and sit them on-site in a holy place for the 2006 Singapore Biennial.^[1][8] That same year she composed a site-specific work for depiction Bratsera Hotel in Hydra, Ellas, writing on the trunk remarkable branches of an olive tree.^[1][9] In 2009, she wrote honesty sutra on mushrooms in approtionment with Buddhist monks and nuns for the Asia Pacific Tercentenary in Brisbane, Australia;^[6][8] and recruit a text by literary reviewer Elaine Scarry on flower petals for an installation at picture Church of Saint-Séverin in Paris.^[6]

In 2011, Tsai created the telecasting installation Ah! in an covered passageway in Singapore, which featured a choir repeating a dreamy chant, and a video foothold the artist writing with draw near in water.^[6] Her exhibition Meeting Point (Edouard Malingue Gallery, Hong Kong, 2014), alongside Taiwanese maestro Wu Chi-Tsung, showed photographs existing video of incense burning suggest becoming ashes.

For Plane Shoetree Mantra (National Museum of Ingenuous History, France, 2014), the grandmaster inscribed the sutra on magnanimity bark of a large implant in the Jardin des plantes in Paris.^[7]

Tsai participated in say publicly 2016 Biennale of Sydney reconcile with an installation in the city's Mortuary Station, which included broad incense coils bearing the Copy Syllable Mantra, and a videocassette work titled Bardo based variety the Tibetan Book of say publicly Dead.^{[3][7][10][11][12][13]}Bardo was shown at Tsai's solo exhibition Universe of Possibilities (TKG+, Taipei, 2016), which too featured planet-like macro photographs depose sea shells discarded from Asiatic fishing boats.^[3][14]

Tsai's first solo offering in the U.K., Bulaubulau (Centre for Chinese Contemporary Art, Metropolis, 2018) displayed large pieces admit driftwood from Taiwan inscribed reconcile with the sutra, and watercolor paintings with the Buddhist text unfussy on rice paper.^{[7][5][15][16]} Her alone show Root of Desire (TKG+, Taipei, 2018) worked the Vimalakirti Sutra into a series engage in videos and drawings, and featured a multimedia installation Water Moon (2017).^[17][18]

For the group exhibition The Power of Intention: Reinventing primacy (Prayer) Wheel (Rubin Museum appeal to Art, New York, 2019), Tsai contributed an ink painting most important an installation of spiral cheese off coils.^[19] Tsai joined a multi-generational group exhibition PLUS X (2019) at TKG+, a celebration bear witness the Taipei-based gallery's tenth anniversary.^[20]

Tsai's video work Numbers (2020) was commissioned by a human assertion art festival on Green Archipelago, Taiwan.

In the video, primacy artist writes numbers in deteriorate on an ice cube which melt away, with a story by the granddaughter of Yang Kui, who was a national prisoner on the island.^[21]

Tsai was an online guest lecturer be thankful for the "Studio Language" course bulk Harvard University during the Despair 2020 semester.^[4]

In 2021, newly guaranteed works by the artist were presented at Live Forever Foundation's Vital Space and the Official Taichung Theatre in Taichung Warrant, Taiwan, demonstrating a collaborative contact to making artworks.^[22]

Filmography

Tsai created nifty series of short films patrician Lanyu—Three Stories (2012) about class Tao people native to Flower Island off the southeastern skim of Taiwan.

Lanyu Seascapes describes the externalities of a atomic waste storage facility on high-mindedness island, while Shi Na Paradna depicts an elderly man recitation a prayer ritual by leadership sea, and Hair Dance instrument a ceremonial performance by honourableness women of the tribe.^{[7][5][23][15][24]}

Following high-mindedness 2015 Nepal Earthquake, Tsai visited the makeshift camps in Katmandu to reflect on the complications of the victims in illustriousness intervening years, and explored their plight in the short coating Songs of Chuchepati Camp (2017), recording the songs and fairy-tale of the individuals living there.^[24][23]

Tsai created the video work Hear Her Singing (2017) concerning authority refugee situation in the UK, which was commissioned by nobleness Hayward Gallery.

Tsai recorded nobleness songs of detainees and custody seekers at Yarl's Wood In-migration Removal Centre, and held melodic workshops with the charity Cadre for Refugee Women. The farewell work was shown at greatness Southbank Centre in London.^[4][24][25] Excellence film was exhibited in distinction Taiwan Pavilion curated by Alia Swastika for Biennale Jogja XV.^[26]

Tsai filmed songs by foreign vessel workers in Taiwan for Songs of Migrant Workers of Kaohsiung Harbor (2018).

The three "singing" films from Nepal, the UK, and Taiwan, created with producer Tsering Tashi Gyalthang, are unshaken in a single work blue-blooded Songs We Carry.^[4]

Bulaubulau (2018) instrument the efforts of an undomesticated village in Yilan County, Island to sustainably maintain both aid organization and modern life in rank face of natural disasters, industry, and economic upheaval.^[5][15][7]

Lovely Daze

Tsai supported the art journal Lovely Daze, which has published more prior to ten issues and special editions since 2005.

Each issue evenhanded dedicated to a single peak related to her work youth interests, and presents artwork extremity writing by other artists quite than reviews or art criticism.^{[1][4][6][14]}Lovely Daze is in the read collections of museums such gorilla MoMA, Tate Modern, the Core Pompidou, and the Queensland Pull out Gallery.^[3][2]

Exhibition

Selected solo exhibitions

Selected group exhibitions

Tsai is represented do without TKG+, Taipei and Mor Charpentier, Paris.

References

External links