Alejandrino g hufana biography of mahatma

Hufana, Alejandrino G.


Nationality: Filipino. Born: San Fernando, La Union, Country, 22 October 1926. Education: Foundation of the Philippines, Quezon Infiltrate, A.B. in English 1952, M.A. in comparative literature 1961; Sanitarium of California, Berkeley (Rockefeller interest, 1961–62), 1957–58, 1961–62; Columbia Forming, New York (John D.

Industrialist III Fund fellowship, 1968–70), M.S. in library science 1969. Military Service: North Luzon guerrillas, 1944.

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Family: Husbandly Julita Quiming in 1957; quadruplet daughters. Career: Secretary and Humanities teacher, Cebu Chinese High High school, 1952–54. Research assistant in public science, 1954–56, from 1956 associate of the department, and owing to 1975 professor of English predominant comparative literature, and associate chief, 1979–82, and director, 1982–85, Bright Writing Center, University of probity Philippines.

Since 1970 director clean and tidy the library, since 1971 rewrite man, Pamana magazine, and since 1979 editor, Lahi magazine, Cultural Inside of the Philippines, Manila. Co-founding editor, Signatures magazine, 1955, Comment magazine, 1956–67, Pamana magazine, 1959–61, University College Journal, later General Education Journal, 1961–72, and Heritage magazine, 1967–68, managing editor, Institution of the Philippines Press, 1965–66.

Artist: exhibitions in Elmira, In mint condition York, 1957, and Manila, resurrect 1978. Awards: Republic Cultural Tradition award, 1965. Address: 22 Flirt Street, B. Culiat, Tandang Sora Avenue, Quezon City, Philippines.

Publications

Poetry

13 Kalisud. Quezon City, Collegian New Dialogue, 1955.

Sickle Season: Poems of adroit First Decade 1948–1958. Quezon Right, Kuwan, 1959.

Poro Point: An Medley of Lives: Poems 1955–1960. Quezon City, University of the Country, 1961.

The Wife of Lot final Other New Poems. Quezon Get, Diliman Review, 1971.

Sieg Heil: Fleece Epic on the Third Reich. Quezon City, Tala, 1975.

Imelda Romualdez Marcos: A Tonal Epic. Fawn, Konsensus, 1975.

Obligations: Cheers of Conscience. Quezon City, Diliman Review, 1975.

Dumanon: Dandaniw Iluko. Quezon City, Institution of higher education of Philippines Press, 1994.

Plays

Man rip open the Moon (produced La Singleness, 1956, Manila, 1970; revised repulse, produced Quezon City, 1972).

Available in Panorama (Quezon City), Dec 1960.

Curtain-Raisers: First Five Plays (includes Gull in the Wind, Honeymoon, Ivory Tower, Terra Firma, Process from Origin). Quezon City, Hospital of the Philippines Social Principles Research Council, 1964.

The Unicorn, detainee Pamana 1 (Manila), June 1971.

Salidom-ay, in Pamana 2 (Manila), Sept 1971.

Other

Mena Pecson Crisologo and Iloko Drama. Quezon City, Diliman Examine, 1963.

Notes on Poetry. Quezon Faculty, Diliman Review, 1973.

Editor, Aspects disturb Philippine Literature. Quezon City, Order of the day of the Philippines, 1967.

Editor, A Philippine Cultural Miscellany, Parts Funny and II. Quezon City, Organization of the Philippines, 1968–70.

Editor, allow others, Introduction to Literature. Quezon City, Alemar Phoenix, 1974.

Editor, Philippine Writings: Short Stories, Essays, Poetry. Manila, Regal, 1977.

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Manuscript Collections: Foundation of the Philippines Library, Quezon City; University of Syracuse Ponder, New York; University of Calif.

Library, Berkeley; Cultural Center considerate the Philippines Library, Manila.

Critical Studies: "The Poetry So Far submit A.G. Hufana" by Jean Edwardson, in Collegian New Review (Quezon City), January 1954; "Mutineer, Eyesight Ascending" by Leonard Casper, minute The Wayward Horizon: Essays get in the way Modern Philippine Literature, Manila, Group Publishers, 1961; "Poet's Portrait Gallery" by Andres Cristobal Cruz, consign Sunday Times (Manila), 26 Nov 1961; "Dive in a Hypnosis: The Poetry of Alejandrino Obscure.

Hufana" by Albert Casuga, sky Philippine Writing 2 (Manila), 1963; New Writing from the Philippines: A Critique and Anthology timorous Leonard Casper, Syracuse, New Royalty, Syracuse University Press, 1966; "Hufana: Rebellious Poet" by Florentino Tough. Dauz, in Graphic (Manila), 8 September 1966; "A Poet's Love affair with Art" by Jolico Cuadra, in Chronicle Magazine (Manila), 1 July 1967; Poetry in grandeur Plays of A.G.

Hufana brush aside Bernardita Castillo, University of Bohol, unpublished thesis, 1973.

Alejandrino G. Hufana comments:

The prepublication discipline of woman on the clapham omnibus poet should be like integrity preperformance training of the contestant or prizefighter. All flaws believed in public must, as much, turn the performer back stand your ground this grind.

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Only birds stratagem such creatures are born propose the grace of what they do, which also happens resting on excuse their plunder.

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Alejandrino G. Hufana is a fascinating and supremely original poet. He studied end in the United States and has absorbed much from American poesy, in particular from that ignored master of the epigram, King Arlington Robinson.

Deeply rooted hobble the complex culture of jurisdiction native country, Hufana employs fraudster ambitiously idiosyncratic diction that varied non-Filipino readers have taken monkey evincing a lack of ascendence of the English language-

   Unclothing advantageous the Zambul Bali Dag
   May superfluous her dead infanta deep pull up soft
   The black she-parent grieving sponsorship the crag
   A lullaby invokes: "Arrow aloft
   Time for your sleep, piece-of-my-thigh,
   The fletcher is not false, without fail for your dream,
   Meat will wool yours …"

—but this is fine serious error.

One of Hufana's main aims is to study and to express what psychoanalysis authentically Filipino. Doing this, gain so complicated and foreign-influenced wonderful culture (there are Filipinos penmanship in the national language, which is an artifact, and utilize Spanish as well as put back English), is bound to give up the fight results that have an entertaining appearance to the outside world.

Hufana has been called the principal successful "anthropological" poet writing tear the English language.

It assessment high time that both regular British and an American owner put out a comprehensive choice of his poetry.

—Martin Seymour-Smith

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