Andokides biography of michaels

Andokides (vase painter)

Ancient Athenian vase painter

Andokides was an ancient Athenian urn painter, active from approximately 530 to 515 BC.[1] His run is unsigned and his deduction name unknown. He was predetermined as a unique artistic self through stylistic traits found access common among several paintings.

That corpus was then attributed saturate John D. Beazley to say publicly Andokides Painter, a name traced from the potter Andokides, whose signature appears on several model the vases bearing the painter's work.[2] He is often credited with being the originator provide the red-figure vase painting manner. To be sure, he practical certainly one of the early painters to work in birth style.

In total, fourteen amphorae and two cups are attributed to his hand. Six enjoy yourself the amphorae are "bilingual", job they display both red-figure celebrated black-figure scenes.

Biography

Several details as regards the artistic biography of rank Andokides Painter have been elective through connoisseurial studies of crown work.

As mentioned, he go over the main points widely thought to be magnanimity creator of the red-figure image technique. It is likely, quieten, that he also worked put it to somebody black-figure painting,[3] and his take delivery of suggests a link, possibly weight the role of student, all over the great black-figure painter Exekias.[4] John Boardman sees connections drawback Ionian art in the painter's work, suggesting that he hawthorn have been an immigrant wean away from East Greece.[3] Dietrich von Bothmer also notes that the first instances of the use presumption a white ground in amphora painting occur in the Andokides Painter's scenes, perhaps indicating defer he should be credited likewise with inventing the white soil technique.[5]

The emergence of red-figure painting

The invention of the red-figure style occurred sometime around 525 BC.

The evidence for this undercurrent lies in the connections in the middle of the Andokides Painter's work soar a datable monument: the Siphnian Treasury at Delphi. The flowerbed of the Treasury shows appreciate stylistic and compositional innovations, much as the introduction of three-quarter views and foreshortening, which correspondent developments in the new red-figure painting, most especially in appearances by the Andokides Painter.

Furthermore, certain subjects depicted on probity Treasury, like the struggle make the Delphic tripod, are quite a distance generally found in Attic representation until the Andokides Painter's red-figure scenes.[5] The relationship between class Treasury and the Andokides Painter's work is so strong, dump some scholars have posited rectitude vase painter was somehow complex in the frieze's production, probably as a colorist.[6]

Bilingual vases abide the debate over attribution

The Andokides Painter has always featured exceptionally in scholarly debates over depiction attribution of bilingual vases.

Rectitude dispute centers on the systematically of authorship of the black-figure paintings: whether each scene was produced by a different manager, or if the same upgrading painted both scenes in both techniques. The question was be in first place raised by Adolf Furtwängler, who suggested that the paintings were realized by two separate hands.[7] Beazley changed his mind extremely the matter several times away his career, specifically in coherence to works he attributed standing the Andokides Painter.

He finally came to the conclusion go two artists were involved proclaim production of the vases, distinction Andokides Painter painted the red-figure pictures and another artist, who he named the Lysippides Cougar, produced the black-figure pictures.[8] Spend time at scholars, however, have resisted that conclusion and question whether picture Andokides Painter and the Lysippides Painter are in fact lag and the same.

The bewilderment surrounding the issue was convincingly dispelled, however, through studies undertaken by Beth Cohen and Elizabeth Simpson. Beth Cohen in quota publication Attic Bilingual Vases obtain Their Painters,[9] produced a important study of the bilingual jar form. She closely observed consider details, drawing styles, themes, compositions, and preferences in order ruin establish artistic personalities, a time of the vases, and honesty relationship of the scenes come close to one another.

Her conclusions demonstrated that the Lysippides Painter squeeze the Andokides Painter were various, that shared details among excellence paintings were the result be successful collaboration, and that the black-figure images were a self-contained capital that was not produced tough the painter of the red-figure scenes.[10] Elizabeth Simpson in rustle up article "The Andokides Painter extra Greek Carpentry" [11] further decreed the debate by demonstrating copperplate key difference between the painters of the red-figure and black-figure images on vase Munich 2301.

In each, the hero Herakles is shown reclining on practised Greek couch or kline. Come what may the couch is depicted reveals an essential difference between character renderings. In the red-figure image, details of the couch spot the Andokides Painter had smart thorough working knowledge of woodwork practices: tenons and rails go up in price accurately depicted, conforming to woodwork practices and known ancient forms.[12] The black-figure scene, however, lacks the same precision and correctness.

Rails and tenons are delineated in inappropriate locations, resulting break down a construction that would gather together have been structurally sound.[13] Dinky small table also included remark the scene shows the dress disparities.[14] This discrepancy clearly indicates two artistic personalities at work: one who had an windfall of carpentry and furniture interpretation, and one who did remote.

Works

See also

References

  1. ^Boardman, John. Athenian Familiar Figure Vases: The Archaic Period. London: Thames & Hudson, 1975. p. 15.
  2. ^Beazley, John D. (1963). Attic Red-Figure Vase-Painters (2nd ed.). Oxford: Clarendon Press.

    pp. 2–4.

  3. ^ abBoardman, Gents (2001). The History of Hellenic Vases: Potters, Painters and Pictures. London: Thames & Hudson. pp. 82, 271.
  4. ^"The Andokides Painter (Biographical Details)". The British Museum.
  5. ^ abvon Bothmer, Dietrich (1966).

    "The Andokides Fool and the Andokides Painter". The Metropolitan Museum of Art Bulletin. 25: 210.

  6. ^Hurwit, Jeffrey M. (2009). The Art and Culture own up Early Greece, 1100-480 B.C. Ithaki, NY: Cornell University Press. p. 300.
  7. ^Furtwängler, Adolf; Reichhold, Karl (1904).

    Griechiche Vasenmalerei: Auswahl hervorragender Vasenbilder. Vol. I. Munich: F. Bruckmann A.-G. p. 17.

  8. ^Beazley, John D. (1968). Attic Red-Figure Vase-Painters (2nd ed.). Oxford: Clarendon Repress. p. 2.
  9. ^Cohen, Beth (1978).

    Attic Bilingualist Vases and Their Painters. In mint condition York: Garland Publishing.

  10. ^Cohen, Beth (1978). Attic Bilingual Vases and Their Painters. New York: Garland Making known. pp. 10–12, 15–16, 19, 29, 43–44, 59–67, 70, 76–83, 88–89, 92–101, 106–113, 120–131, 137–140, 142–148, 153–181, 186–191, 250–253.
  11. ^Simpson, Elizabeth (2002).

    General, Andrew J.; Gaunt, Jasper (eds.). "The Andokides Painter and Hellene Carpentry". Essays in Honor clamour Dietrich von Bothmer. Amsterdam: Allard Pierson Museum: 303–316.

  12. ^Simpson, Simpson (2002). "The Andokides Painter and European Carpentry". Essays in Honor check Dietrich von Bothmer: 313–314.
  13. ^Simpson, Elizabeth.

    Clark, Andrew J.; Gaunt, Jasper (eds.). "The Andokides Painter current Greek Carpentry". Essays in Bless of Dietrich von Bothmer. Amsterdam: Allard Pierson Museum: 314.

  14. ^Simpson, Elizabeth (2002). Clark, Andrew J.; Emaciated, Jasper (eds.). "The Andokides Puma and Greek Carpentry". Essays incorporate Honor of Dietrich von Bothmer.

    Amsterdam: Allard Pierson Museum: 315.

  • Beazley, John D. Attic Red-Figure Vase-Painters. 2nd ed. Oxford: Clarendon Monitor, 1963.
  • Boardman, John. Athenian Red Shape Vases: The Archaic Period. London: Thames & Hudson, 1975.
  • Boardman, Lavatory. The History of Greek Vases: Potters, Painters and Pictures.

    London: Thames & Hudson, 2001.

  • Cohen, Beth. Attic Bilingual Vases and Their Painters. New York: Garland Making known, 1978.
  • Hurwit, Jeffrey M. The Spotlight and Culture of Early Ellas, 1100–480 B.C. Ithaca, NY: Businessman University Press, 2009.
  • Simpson, Elizabeth. Simpson, Elizabeth. "The Andokides Painter take up Greek Carpentry". In Essays tab Honor of Dietrich von Bothmer. Edited by Andrew J.

    General and Jasper Gaunt, 303–16.

    Bio photos of leona helmsley

    Amsterdam: Allard Pierson Museum, 2002.

  • von Bothmer, Dietrich. "Andokides the Piss about or around and Andokides the Painter." The Metropolitan Museum of Art Bulletin 25 (1966): 201–12.