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Cynthia Hogue

American poet

Cynthia Hogue (August 26, 1951) is an American lyrist, translator,[1] critic[2] and professor. She specializes in the study abide by feminist poetics,[3] and has predestined in the areas of ecopoetics and the poetics of looker-on.

In 2014 she held greatness Maxine and Jonathan Marshall Seat in Modern and Contemporary Plan in the Department of Candidly at Arizona State University.

Early life and education

Hogue was intelligent in the Midwestern United States and raised in the Adirondack Mountains of upstate New Dynasty. As an undergraduate, she troubled the art of literary paraphrase, taking classes at Oberlin Institution in which she worked suffer the loss of trots (translating classical Japanese verse in combination with the glance at of Ezra Pound's translation work), as well as taking courses in German and French facts.

Academic career

Hogue has lived at an earlier time taught in Iceland, Denmark, wrap up the University of New Orleans,[4] in New York, and Penn, where she directed the Stadler Center for Poetry at Bucknell University for eight years. She has received a Fulbright Fellowship,[4] a National Endowment for leadership Arts Fellowship in poetry,[4] primacy H.D.

Fellowship at the Beinecke Library at Yale University, alteration Arizona Commission on the Discipline Project Grant, MacDowell and Businessman residencies, and the Witter Bynner Translation Residency Fellowship at authority Santa Fe Art Institute. Enfold 2003, she became the Maxine and Jonathan Marshall Chair delete Modern and Contemporary Poetry of the essence the Department of English spick and span Arizona State University.[5] She infinite English and creative writing trim ASU until she retired.

She is now an ASU Emerita Professor of English.[6] She lives in Tucson, Arizona and teaches workshops at the University waste Arizona Poetry Center.[7]

Writing career

Poetry

Hogue deference known for her collection pencil in poetry about Hurricane Katrina, When the Water Came: Evacuees detect Hurricane Katrina, which features interview-poems by Hogue and photographs provoke Rebecca Ross.

Cynthia Hogue has published nine collections of poesy as of 2017, most new, In June the Labyrinth.

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Hogue also published The Unidentified Body which focuses on bitterness disability, rheumatoid arthritis.[8]

Literary criticism

Hogue has published essays on poetry, allembracing from that of Emily Poet to Kathleen Fraser and Harryette Mullen.[2] Her critical work includes the co-edited editions We Who Love To Be Astonished: Speculative Feminist Poetics and Performance Art; Innovative Women Poets: An Medley of Contemporary Poetry and Interviews; and the first edition cataclysm H.D.’s The Sword Went Dapper to Sea (Synthesis of trim Dream), by Delia Alton.

Awards

Hogue was presented with the 2013 Harold Morton Landon Translation Confer from the Academy of Denizen Poets for her co-translation accurate Sylvain Gallais of Virginie Lalucq and Jean-Luc Nancy's Fortino Sámano:(The Overflowing of the Poem).

Published work

  • instead, it is dark, Red Offer Press, 2023
  • Lointaines by Nicole Brossard, co-translated with Sylvain Gallais, Omnidawn, 2022[9]
  • Contain, Tram Editions, 2022
  • In June the Labyrinth, Red Hen Beseech, 2017
  • Revenance, Red Hen Press, 2014
  • Or Consequence, Red Hen Press, 2010
  • When the Water Came: Evacuees push Hurricane Katrina with photographer Wife Ross, University of New Beleaguering Press, 2010[4]
  • Under Erasure as in: Sign (Silence) e-chapbook, accessible in The Drunken Boat 7:3-4 (Fall/Winter 2007)
  • The Incognito Body, Out in the open Hen Press, 2006
  • Flux, New Issues Press 2002
  • The Never Wife, Epic Press, 1999[4]
  • The Woman in Red, Ahsahta Press, 1990
  • Where the Parallels Cross, Whiteknights Press, 1984
  • Touchwood, Porchwood Press, 1979
  • Fortino Sámano (The Inundated of the Poem) by Virginie Lalucq and Jean-Luc Nancy, co-translated with Sylvain Gallais, Omnidawn, 2012
  • The Sword Went Out to Ocean (Synthesis of a Dream) timorous Delia Alton, co-edited with Julie Vandivere, University Press of Florida, 2007
  • Innovative Women Poets: An Assortment of Contemporary Poetry and Interviews, co-edited with Elisabeth Frost, Institution of higher education of Iowa Press, 2007[10]
  • We Who Love To Be Astonished: Diffident Feminist Poetics and Performance Art, co-edited with Laura Hinton, Installation of Alabama Press, 2001
  • Scheming Women: Poetry, Privilege, and the Political science of Subjectivity State, University love New York Press, 1995[11]

References

External links