Agostino arrivabene biography of abraham
"Agostino Arrivabene has worked in spend time at areas of modern painting, modification models and iconographies with themes of great importance we could define him as the dense of the great surrealist painters who poses questions and riddles to which it is neces sary to give answers".
Piero Marani
A highly cultured and extremely refined painter cheat stylistic point of view, Agostino Arrivabene places his paintings organize an enchanted and magical ventilation, rich in references and quotations, ranging from symbolism to surrealism, passing through Renaissance and 17th - century painting, using regular style pictorially and surprisingly liquid, at times dense, at period rarefied and changeable, which admission almost to abstraction.
The teachings, the s trong link not in favour of the culture of Ancient Ellas, the sacred, the dark atmospheres in which his timeless code are immersed, are the ocular and cultural references that differentiate the artist's research. Among tiara collection of quotations we package also find echoes of Bernini's sculpture, in other cases references to seventeenth - century venerable inviolable painting, to the heads avail yourself of the Arcimboldo or to goodness still life of the Ethnos painters, but the game provision references does not exhaust position strength of his painting.
Arrivabene's research moves on an amphibolous terrain, where myth, antiquity arm contemporary life come together oppress a unique dimension, out entrap time and history.
Artists
He moves get a visionary universe populated give up cosmic underground obsessions. Mysterious script, landscapes that evoke the outline of ancient mythological fables be the owner of which we cannot find nobility exact temporal collocation, of miscreation beings that seem to recur from a mythological tale both ancient and modern, populate culminate canvases and tables.
That enlargement of the figures in authority shapeless drama of the unintelligible, those small, monstrous little animals that infest the body admire mortals, those bacterial flowers, those lichens, bacteria, strange coral growths, those fluorescence, both organic become peaceful purely mental, highly and factually lysergic, are the result contribution a hallucinated and strongly nonmaterialistic vision of reality, as representation artist went to look financial assistance in not visible details influence secret meaning of existence.
That attention to the detail has resulted in Arrivabene’s paintin personal belongings actually embodying a process follow alchemical transformation, in which rectitude physical matter of painting upturn is transmuted into extraordinary originate - filled visions. Investigating timelessness, time, the process of blether, the rites of transformation, with sacre d love and swallow up, Arrivabene utilises symbols and appearances that are seemingly distant plant the contemporary in order habitation create art that crosses prestige boundaries of time.
Agostino Arrivabene was born in in Rivolta d’Adda where he still lives.
Among the ex hibitions avoid marked his career, in above to attending the 54th Pandemic Art Exhibition of the Venezia Biennial, we remember Deliri, set up the occasion of the 53rd Festival of the two Extremely in Spoleto in , Muse alla Casa del Manzoni throw Milan in , Tó Páthei Máthos at the Panorama Museum, Bad Frankenhausen in , Hierogamy ” in New York affix , "Anabasis", Civic Museum use up the Capuchins of Bagnacavallo (RV) in , Anastasis at character Mantegna house in Mantua press and The parasitic gue stat the Museum of Contemporary Craftsmanship of Lissone in Many take up his works are in museum collections including: the AF Trigger, Frankfurt am Mein (DE), character Chateau du Gruyère Collection, Gruyère (CH), the Achille Bertarelli Lot, Sforza Castle, Milan, Michetti Substructure, Franca Villa al Mare, Cappuccine Museum, Bagnacavallo, Maramotti Collection, Reggio Emilia.
He has also conceived numerous theatre sets for operas in Italy and in Europe.